Monday, January 15, 2024

Of Psalms, Hymns and Spiritual Songs


I had a conversation with a pastor friend the other day in which my friend spoke of a couple in her congregation that had ceased to attend worship in that church.  Upon contact they told the pastor that they were attending another church, and that the reason was that this other group sang “the old songs” in worship.

 My discussion with this pastor speculated on some of the possible reasons why these folks had chosen an alternative to their long-time fellowship.  One is as likely as the other, and we’ll never know for sure.  But for the moment I am going to take this couple at their w

At first glance it seems a small thing.  How many songs/hymns does the average congregation sing in a weekly worship service?  Three?  Four?  Factor in an anthem, maybe a choral introit, a prelude, a postlude and an offertory and the musical opportunities do begin to stack up.  But truth be known, I don’t think I have ever heard anyone say, “Well I just got tired of the constant new music during the offering and I decided to go somewhere else!”  So, what is at issue is three, maybe four singing events per week.

 It is easy to dismiss such a small percentage of all the goings-on in worship.  But in many worship orders the singing is one of the few opportunities for congregational participation that Sunday morning offers.  Some churches may include a unison Affirmation of Faith.  Many pray The Lord’s Prayer together.  We ask the folks in the pew to put money in the plate when we take up the Offering.  But a given congregation may not do all these things every week.  Other participatory acts may be infrequent at best.

So, hymn-singing is one of only a handful of non-passive elements in many of our churches.  If the few chances for people to join in are made up of the unfamiliar or the uncomfortable, it is a fair criticism to say, “I am more comfortable somewhere else.”  This would be especially true, I think, in a setting where the change in music had been abrupt.

Music often touches the heart in a way that prose cannot.  I am not speaking of mere “feel good” moments.  Music is evocative.  It can transport us to times and places from which we are far removed.  I remarked in a sermon recently that people can think of times when they have buried loved ones more than fifty years ago.  They can’t quote a single verse of scripture from that day, nor do they remember any word that was spoken.  But often they recollect every piece of music that was played or sung.

Church music is one of those “all things to all people” topics.  It is difficult to include A Mighty Fortress is our God and Bringing in the Sheaves in the same service.  But in a time of fragile balance, most of the churches of which I am aware could benefit from being more intentional in their consideration of their music.

I hope my friend’s folks come back.

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