I had a conversation with a pastor friend the other day in
which my friend spoke of a couple in her congregation that had ceased to attend
worship in that church. Upon contact
they told the pastor that they were attending another church, and that the
reason was that this other group sang “the old songs” in worship.
My discussion with this pastor speculated on some of the
possible reasons why these folks had chosen an alternative to their long-time
fellowship. One is as likely as the
other, and we’ll never know for sure.
But for the moment I am going to take this couple at their word.
At first glance it seems a small thing. How many songs/hymns does the average
congregation sing in a weekly worship service?
Three? Four? Factor in an anthem, maybe a choral introit,
a prelude, a postlude and an offertory and the musical opportunities do begin to stack up. But truth be known, I don’t think I have ever heard anyone say, “Well I just got
tired of the constant new music during the offering and I decided to go somewhere
else!” So, what is at issue is three, maybe
four singing events per week.
It is easy to dismiss such a small percentage of all the
goings-on in worship. But in many worship
orders the singing is one of the few opportunities for congregational
participation that Sunday morning offers.
Some churches may include a unison Affirmation of Faith. Many pray The Lord’s Prayer together. We ask the folks in the pew to put money in
the plate when we take up the Offering.
But a given congregation may not do all these things every week. Other participatory acts may be infrequent at
best.
So, hymn-singing is one of only a handful of non-passive
elements in many of our churches. If the
few chances for people to join in are made up of the unfamiliar or the uncomfortable,
it is a fair criticism to say, “I am more comfortable somewhere else.” This would be especially true, I think, in a
setting where the change in music had been abrupt.
Music often touches the heart in a way that prose
cannot. I am not speaking of mere “feel
good” moments. Music is evocative. It can transport us to times and places from
which we are far removed. I remarked in
a sermon recently that people can think of times when they have buried loved
ones more than fifty years ago. They can’t
quote a single verse of scripture from that day, nor do they remember any word
that was spoken. But often they
recollect every piece of music that was played or sung.
Church music is one of those “all things to all people” topics. It is difficult to include A Mighty Fortress
is our God and Bringing in the Sheaves in the same service. But in a time of fragile balance, most of the
churches of which I am aware could benefit from being more intentional in their
consideration of their music.
I hope my friend’s folks come back.
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